Rather came back with a sullen feeling after watching Nolan's latest Odyssey. I had often liked the sense of realism and believability in his movies like the Dark Knight Series sans those where science fiction was obvious - but even in those, like Inception and Interstellar, there was a feeling of director's execution with some sense of reality i.e. things looked real as it would happen in a technologically advanced setting. The original odyssey with its outlandish mythology made me feel that how would Nolan impose his sense of realism in an adaption which involved mythical creatures and situations.
Hence after watching the movie, immediately felt the story was somewhat disjointed in its depiction of situations. The part in Ithaca with Penelope, Telemachus and the suitors was in a contemporary power set up (Contemporary to the movie storyline). Also, when Menelaus narrates to Telemachus in Crete the story of Trojan war is also very well made particularly the believable actions set piece of storming of Troy. One part which felt totally disjointed was when Odysseus narrates to Calypso his ordeal which includes fantasy elements about his encounter of Cyclops, Sirens, the dead and Cersi.
But that was exactly the framing which Nolan also wanted. It can be noted that specially the part where Odysseus is narrating to Calypso, he is actually being induced into amnesia by the latter. The lotus plant is causing him to be drugged which may have used as ploy by the director to put all the fantasy elements in this particular framing and sequence where Odysseus is trying to remember what had happened. Though he seems very lucid when he is trying to remember his wife and son. And when it is revealed that he is hallucinating about Athena all this while, the entire thing finally makes sense. It's like a true master of craft not disappointing his ardent followers when actually the craft is being created in a new untouched dimension altogether which till date would have been tough to associate with Nolan. And there have been such breadcrumbs left in movies like Inception, Memento, Interstellar where the lead characters don't seem to have sense of reality while having a very defined sense about their loves ones or family.
And also, there are wider narratives of Greed, geopolitics, subjugation of society, the classic duplicity of putting a person in pretext of launching war for economic reasons (Helen being just an excuse to control trade routes going via Troy). This may have parallels in today's word where personalities (read Venezuela, Iran) are placed as reason to carry out armed operations. Also, this also lays out bare the controversy of a black actress playing Helen, where Nolan subtly conveys that a person's race, appearance, creed is insignificant when there are greater machinations in play to create and prolong conflict for vested reasons. There is also a self-reflection lesson to today's great powers, when Odysseues says that they have been the sea people, all this while threatening or invading innocent islanders, sowing fear and insecurity in their mind.
Not sure if Nolan himself is aware of the subtilities or made this movie by "incepting" these disguised pointers, but definitely his movies don't dawn upon you till once has reflected it well which was quiet sure when one seems to think that why on the earth will a Director known for his modernistic-psychological-ponderous flavor to his movies, is suddenly going to veer into the ancient mythos.